The Shounen Club 19 March 2006 review

While the first recap episode of this month was more to salvage what they could of the unaired February episodes this recap is all about KAT-TUN and celebrating their debut.

The plus about this recap episode is that the quality of the video is good which means being able to clearly watch at least some clips of earlier episodes.

KAT-TUN not only host this episode but are also the producers of it. The theme of the episode is Kadode (which in this case would be best translated to a departure or setting off), to go along with the group's debut.

They start off with showing the PV for their debut single, Real Face. This is probably my favorite song from the group, but it helps that the music for the song was written by B'z guitarist Tak Matsumoto.

After that they have a "quiz" for the history of the group. The major events are on this board and members have to guess things like dates and song names to fill the blanks on it.

With this we get to see footage from the group's debut on the program Pop Jam back in April of 2001. So everyone looks really young.

There are some other clips of them from the early Shounen Club episodes, and it is nice to see these clearly even though they are all rather short.

There is then the first KAT-TUN ni Q segment of the episode. The first topic they have are the group's weak points. I think Taguchi Junnosuke is spot on with saying that one of their weak points is that members tend to get in the way of seeing those behind them. It has been an issue I have had with trying to get a screen cap of the group that you can see them all clearly with for a while.

The next topic is what I believe is a saying for the group from now on. They end up picking one from Ueda Tatsuya that is Pantsu ni Kedama, which all I get from that is hairballs in underwear. I could be a bit off with my translation there but I would assume it would not be too far off as the guys do seem to pick it because of how random it is.

After more VTR the group have a self request corner where each member shows a request of a performance they want to see.

Kamenashi Kazuya's request is Hoshikuzu no Spangle which they finally list what the original artist of the song for. So happy to know this now but I have the feeling hunting down such an old Shounentai album is going to be really hard. Also to note this is the only request from any of the members that is for a performance with the group.

After this Taguchi Junnosuke gets to read a letter from Yabu Kota of Ya-Ya-Yah. I get him congratulating the group on their debut and then having a message for each member.

After the letter they show clips of most of the Junior groups. I do wonder why a couple of them were selected as the J.J.Express one is of the group before half the current members were added and they show a Kis-My-Ft. performance even though the group has been merged to create Kis-My-Ft2. Though for the Kis-My-Ft. performance it seems to be from one of the episodes I had trouble playing all the way through so there is a silver lining there.

After they do the next KAT-TUN ni Q they announce that the group will be returning to be on the April episodes of the show. No big surprise there as this should be the usual newly debuted group is a regular/frequent guest on the program for a while.

At the end of this program there is a VTR of Kokubun Taichi to promote the start of a new program, Shounen Club Premium. This is a bit of a spin-off program from SC but the focus is on already debuted Johnny's with some of the older Juniors and is more of a talk with a performance thrown in. Either way it is nice to know when the program started as it is knowledge I did not have before.



And with this episode I am going back to twice a week reviews for SC. So the next review will be Wednesday.

Also for those that have been asking about getting their hands on these episodes themselves I have decided to share them over a the Jpop Central forums. You will need an account and you have to post ten times before you can access the Media Central part of the forum that I have put the links up for them. But there are plenty of spam topics, like "what song are you listening to" posts that should let you reach ten posts in no time. This is mainly because once I hit a certain point I know exactly who the original uploader is and I know they have requested that if the files are uploaded elsewhere it is done somewhere that is locked for members only. So far I have only gotten the first few episodes I have up but I hope eventually I will have it all up for people, especially these older episodes that are not so easy to find anymore.

SMAP and Mentoring

They more I see of SMAP with either Yamashita Tomohisa or Kis-My-Ft2 the more I realize that the interactions between senpai-kohai for them is a true mentor-mentoree one. SMAP has in the past been more removed from other groups so you did not get much in the way of interaction between them and other groups. But with this recent shift with them working with Yamapi and Kisumai this has been changing, or at least with these Johnny's.

I feel that the interactions with SMAP for Yamapi and Kisumai will benefit them more than just simply trying to ride on their coattails. SMAP are tried and true veteran idols and the first to make that successful switch from just being idols to all around entertainers. Yamapi and Kisumai are getting the chances to work side by side with them, giving them valuable opportunities to learn from the pros as it were.

And I do think SMAP gets something out of this relationship as well. At this point of their careers they have hit so many highs it is probably hard to figure out what the next goal is, and by having younger talent to mentor it can give them that new goal, to nurture the ones that are coming up after them. And they seem to love interacting with the other Johnny's, even though they have not gotten many chances because of how busy they are.

I can understand why some fans may feel begrudged to Yamapi and Kisumai for getting these chances when really no other Johnny's act has gotten to. But timing is everything and they just got to be the lucky ones that where placed under Iijima Michi's management when it seems things are getting serious about finding the next president of Johnny's & Associates.

So in the end I see this as a clear win-win situation, with the younger ones getting to learn from those that can be considered masters of their trade, and with SMAP gaining a new way to find job satisfaction by helping their kohai rise in the entertainment world.

The Shounen Club 15 January 2006 review

This is the final new episode of the season, sorta, in a way. It gets a bit complicated after this and I will get into all that with the review for the next episode.

Forgot to mention it last episode by Miyata Toshiya is still M,I.A. from Kis-My-Ft2. I cannot help but wonder where he is. My only guess is that his parents wanted him to take a break from Johnny's to concentrate more on studying as it is the time of year that tests would be coming up.

Joey Tee gets his official introduction and says some things about himself in English, like he is from L.A. and came over to be on the program. Joey is a bit of a curiosity as he never really went anywhere but had decent time on the program. I guess if anything whatever management was trying to do with him let the Juniors of mixed heritage get some lasting time in the spotlight as we should be seeing some familiar faces showing up soon with him.

The producer for this episode is Tegoshi Yuya. He leads into his chosen theme by talking about how he is not a kid but also not an adult so he decided his theme will be Otona tte Nani?! (forgive me if my Japanese is off here but I believe it would translate to something like "What's an adult?!")

The theme medley is a Otona medley (Adult medley). Like the more recent medleys there is a good mix of Juniors with NEWS members performing in the medley.

I noticed that Question? looks to be down to a single guitarist. I wonder if it means they have lost their first guitarist and we will be seeing Igo Akun showing up in the near future.

For the first MC segment we get a few members of J.J.Express and Ya-Ya-Yah up to talk about what they think are signs of being an adult.

JJE then performs Yamadera no Oshousan, which is a Japanese folk song. We get the trio of Nakajima Yuto, Morimoto Ryutaro and Yamada Ryosuke leading the song at first. I kinds wonder why they did not just add Yamada to JJE at this time but I guess soon it will not matter too much when Yuto and Ryutaro get taken out from the group.

The belt-tie sewn on to the shirt of the outfits they are wearing comes loose from Yuto about halfway through the song. He does well to pay it no mind until the camera is off of him and he does not have to dance so he has the chance to retie it to finish off the song.

We then have a letter exchange between Kato Shigeaki and Ayukawa Taiyo. I actually understood a little of it, which was at the end of Shige's letter he scolds Taiyo about just calling him Shige when he is his senpai. Of course Taiyo has written his letter calling him Shige all through it.

This is followed up by Toshin Yoshikazu & A.B.C. performing the song BEAT MIND and then Kis-My-Ft2 performing Sennen no Love Song.

The Kisumai performance of course stands out to me, not just because I am a fan, but also because IIRC this is the first time the group is performing this song. The song is a carryover from K.K.Kity, the previous group of Yokoo Wataru and Iida Kyohei and is really the first one that I feel makes the group feel like a group as all the members get a good amount of screen time and the younger ones are not stuck in the back of the older ones for a change. And it is no surprise it was one of the pre-debut songs to end up on a Kis-My-Zero bonus CD for the group.

Following this there is a VTR portion with an interview of Tackey & Tsubasa by Shige. He brings up that when Takizawa Hideaki did his VTR for the episode Shige produced he failed to do one of the prompts given him, say "I love you" to the camera. Tackey protests and refuses to do it but Shige and Imai Tsubasa do it so he needs up finally doing it as well with the results seen above.

There is the usual talk about the theme followed by a plug for whatever new release T&T had out at the time, which would be their single Venus.

When we return to the filming it is for a game segment and a new game, Shokura Mania. It is a simple but fun game as it is easy to play along with. But they bring a large group of Juniors on the stage and they are given a question related to Shounen Club to try to guess the right answer to. It is a multiple choice answer and they have to get in the circle of what they think to be the right answer. If they get it right they stay, if not they have to leave the stage.

As fan of the program I found it fun to play along with. And even got to learn a couple of things along the way. Like the original logo for the program was handwritten by Ohno Satoshi.

In the end they end up with three winners after four questions. Since Kitayama Hiromitsu is the only Junior he gets the medal that the winner is supposed to get.

NEWS then get to sing a song, Towairo no Koi, another song that eventually made it onto a CD. The song is nice enough but the outfits they have on are really ugly. I am not a big fan of plaid though if done right I do not mind it but this is definitely plaid done wrong. Of course knowing my luck these outfits will resurface to be Bakaleya6 outfits or some other current/future Junior group I like.

In the following MC segment Koyama Keiichiro has Tegoshi pick between him and Nishikido Ryo for who was the most adult-like to him. Much to Ryo's joy and Koyama's heartbreak Tegoshi picks Ryo, but Tegoshi does spend a good amount of time pointing out Koyama's good points to make up for it.

Yamashita Tomohisa performs a solo song LOVE XXXX. It sounds really dated and I am glad this was never brought back for anything. But then again the song credits has Domoto Tsuyoshi so I wonder if this was just a cover.

This is followed up with Tegoshi speaking about the theme before the start of the next performance, him and Masuda Takahisa singing Sunadokei. I had no idea that Sunadokei was something that was around before Tegomass was made into an official unit so this took me by surprise. It gives me a different perspective about the song and makes me wonder if Tegomass may have happened even if NEWS did not get suspended for a year.

Then this should be the final performance of Wonderful World, barring it being shown in recap episodes. I will go ahead and mention that Yamapi seems to have been in a really good spot in his life as he has been rather energetic and happy in the past couple of months. A happy Yamapi is much more fun to watch than any other mood I have seen him in.

This is going to be the last episode we get with NEWS as a 7 member unit and the last we will see of NEWS at all for a good while as well. As NEWS gets hit by the second underage drinking scandal in the following month.

So while I liked this episode I had that bad feeling hovering over me during the watch because I know what comes next and it is not something I want to happen. But there is no stopping it as it is in the past and I guess at least there will be a lot of distraction with KAT-TUN debuting and then the usual changes that come with a new season.

The next episode does not air until March and it is an interesting episode considering what it is as it is not exactly a clip show yet is a clip show.

Kayou Kyoku X'Mas Live SP 2012 review

This is the final music program special before the ones for the New Year and it aired on Christmas day.

Kayou Kyoku X'Mas Live SP is a four hour special for the weekly Kayou Kyoku program that airs on TBS. It is basically a special version of the usual program that runs much longer and with a Christmas theme but as the show is usually fun to watch you know there are going to be fun moments mixed in with the usual performances.

You know that this is going to be a fun program to watch as it opens not with the usual list of acts that will be appearing but the host of the weekly version of the program, Nakai Masahiro. He sets up the story that they begin with.

The acting portion of it is done by popular child actors Ashida Mana and Suzuki Fuku as well as the other regular host of the program Esumi Makiko. They ask their "mama" about Santa Claus coming and she gives the typical answer about being good children so he will come. They pray for him to show up and we get the opening act for the special.

Of course this is probably not the Santa Claus the kids had in mind. I mean they did not even bring presents with them. But at least AKB48 with SKE48 and NMB48 start the holiday themed show off right with a Christmas song, the Japanese version of Santa Claus is Coming to Town.

My highlight is the fact that NMB48 have their own section that gets some screen time during the song. And how cannot I help but smile to see the girls so happy?

After the song is done Ashida Mana joins AKB48 to sing a X'Mas version of Heavy Rotation. Mana looks so happy performing that even though I am getting tired of hearing the song I cannot help but love the performance anyway.

We get some opening talk as the MCs introduce the program and talk about some of the things that will be coming up in it.

During the program we get a satellite feed to new mother Higashio Riko (a Japanese pro golfer and wife of Japanese actor Ishida Junichi) and her father, Higashio Osamu (an ex-baseball player). I am not familiar with them, had to look them up, but I guess they are people that the average Japanese TV viewer would recognize. The baby does not seem to be so happy about making his TV debut.

When we start the performances it is with Sexy Zone, most likely because with the length of the program they need to make sure the younger artists go first as they will not be able to stay for all of it. They perform a medley of their singles, and I cannot help but notice that it looks like Yo Marius's sleeves look to be coming up short on him. He is going to be a giant compared to the others if he does not slow down with his growth spurt.

We keep on with Johnny's performances as SZ is followed up by Hey! Say! JUMP performing Super Delicate like usual. I have found it interesting how conservative Yamada Ryosuke and Nakajima Yuto are in the fanservice part of the song on these songs, especially compared to how much they play it up on Shounen Club and concerts.

During the show there are special corners that are done. The first of these is lead by the comedian Chris Matsumura and is is Johnny'scise (Johnny's x exercise). We see some VTR to see that Katori Shingo and Yamashita Tomohisa have already done this with Chris.

He invites them to join him to do it on the show as well as all of Sexy Zone. So with them and the little Juniors that were back dancing for SZ they do the Johnny'scise. SZ look to have a blast and Yamapi is a trooper. Shingo makes this segment with going between a beaming face to looking like he has no idea why he is doing this.

Nakai afterwards go on stage to talk to them all. Near the end he goes up to one of the little Juniors to say something and gets him to say "Merry Christmas", though you could tell the Junior was just all kinds of awkwardly nervous at being put on the spot.

Then after some other acts we what is my personal highlight of the program, a Johnny's Hit Medley. We get to see some of the original footage from the older Johnny's groups whose songs will be covered. I love seeing these as I find it interesting to see what idol style was like in decades past.

And here are a bunch of screen caps from the performance because I love it so. And to note the three oldest members of SZ are the only ones in the medley as it was too late for the younger two to work according to Japanese law.

We get a bit of a Ikemen Desu Ne reunion plus Yamapi.

And that is S-My-2 not being stuck in the very back of the formation and getting seen singing with the KiFt.

Miyata Toshiya gets used as an anchor again, this time by Kitayama Hiromitsu to steady himself when they move to a different part of the stage.

The Otokogumi song cover gave Okamoto Keito some time to shine as he got to get a good deal of focus of course because the group was the one his father was in.

The stand out performance of the medley was of course the cover of the song NAI NAI 16. It was hilarious as the guys really played up the awkwardness of it with Nakai not holding back with his singing at all.

Arioka Daiki had to be one of the worst when it came to keeping a straight face during this performance. I swear it looked like he was cracking up all the way through it.

At the end all the Johnny's groups sing together and we get some fun group mixing.

After the medley is done SMAP leads an MC break with everyone. They do most of the talking as it is mainly about how "perfect" Nakai's singing was and I really wish I knew what exactly Inagaki Goro said to them when he was sounding annoyed.

Another break and it is another Johnny's related special segment that interests me next. This time it is a drama based one for the drama series Ataru that Nakai Masahiro starred in and Tamamori Yuta had a supporting role in. Nakai comes out in character and sings a song.

After the song he goes over to where the guests/MCs are sitting and remains in character so he pretends that he has no idea who Nakai is and walks off stage in search for curry soup.

Next up are AKB48's sister groups, SKE48 and NMB48, who have been sent outside the studio building they are filming at. They have an over sized thermostat just to let you know how cold it is outside (6C or about 43F for those curious).

NMB48 perform Kitagawa Kenji and are a wonderful splash of color where they perform. I love this song, it is just a lot of fun and easy to want to sing along to.

Next performance that I was interested in was of course SMAP's. They perform Lion Heart, which I am quite happy to hear as it is a favorite SMAP song of mine and it is nice that they are pulling out a good variety of songs to perform on these year end programs.

I am quite glad that World Order is on this program. I am really impressed with how creative their dance routines are. Screen caps do not justice to it and I would highly recommend searching youtube for them to check them out.

Later we get Kis-My-Ft2 and The Monsters (the temporary unit of Yamapi and Shingo) getting to spend some time talking in the guest section. The main topic is the relations of Yamapi to members of Kisumai, which is mainly Kitayama and Fujigaya Taisuke.

In this Nakai wonders about why only the front three of Kisumai are in white and the back four are not. This is notable more because this will not be the only program he brings this up in.

Kisumai is up first to perform. They do Ai no Beat -Dance ver.- which has grown on me over repeated performances. I still have my usual misgivings with the whole split thing but there is only so many times I can go over it without feeling like a broken record.

They are followed by The Monsters doing the remix version of the title track of their single, MONSTERS. Do not think that I care much for this remix and the performance does not come off as solid as their other ones.

AKB48 perform their usual mix of songs as a 2012 single medley. Real highlight for me is to see Akimoto Sayaka performing with the group. Honestly though I think she is one of the girls that should be seriously thinking of graduating from the group as I do not see her going much further with her career with them as she keeps further and further back in the group for newer girls.

Kyary Pamyu Pamyu performs next and does a medley with her two songs Tsukematsukeru and Fashion Monster. She has the choreography down for these songs well enough but I would love to see a bit more emotion from her.

As we move towards the end of the program we get more of the senior acts, including one of the few Johnny's that is the senpai to SMAP, Kondo Masahiko.

For the talk segment with him they have brought all the Johnny's, minus SZ as it was probably deemed too late to keep them around, out into the guest area.

Nakai ends up asking who he knows of the younger Johnny's and Matchy answers with Tanaka. Yabu Kota goes ahead and says he is Tanaka as it is easy to tell that Matchy just through the name out because it is a common last name and there was a chance that it could have been a last name. Unfortunately the one group with a Tanaka was not on the show.

Matchy performs one of his older songs, Sneaker Blues. He still has an old fashioned style to the way he performs with some very overly dramatic moves. Though they do seem a bit toned down when he performs his new song Let's Go!

SMAP then gets to perform again, this time singing one of their new songs, Moment. It sounded like Nakai forgot how to get himself to sound somewhat in tune for this performance. Either that or just decided not to try too hard as he had already proven his extreme lack of singing ability already in the program.

During the song the members of SMAP bring over the Olympians that were in the audience up on the stage and then over to the guest section.

Things then wrap up with final words from various people on the stage. And that brings this music program to an end.


I would probably only recommend this special to fans of Johnny's and/or AKS groups as they are the main artists of this special. While there are some other artists that perform the selection is not as great as other year end music programs and this one seems to have a lighter tone to it as well.